Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

Some folks listen on axis and some loudspeakers are designed to be used this way, so a blanket statement that we don’t listen on-axis, is not totally correct. However, the bulk of this post is!!

What is flat?

How can flat-measuring loudspeakers sound different?

And for that matter, how can same-measuring-anything sound different?

The answer lies in a couple of areas. First, we do not measure all parameters that impact sound quality. In fact, as you will see below, we miss some of the most important opportunities for quantifying performance.

Second, even if we could measure everything how much weight do we assign to each parameter?

So the two things worth considering: what is it we’re measuring, and how much do measured differences matter?

Consider speaker crossover design. When matching a midrange driver to a tweeter, it is often the case the midrange driver has to be phase inverted for best performance. How many of us might wince at the idea one of three drivers in your speakers is out of phase? And yet, that is often the case.

And then we move on to perhaps the most important aspect of them all. What and how are we measuring response?

Loudspeakers are measured on axis (facing directly at the speaker).

We do not listen on axis. So perhaps a more important measurement is how smooth is the off-axis response?

Would it make more sense to publish measurements at the listening position?

Should we publish stereo measurements from the listening position?

Lots to unpack here and lots more to think about.

Flat measurements are a myth.

A flat-sounding system is when playback sounds like music and not HiFi.

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

12 notes

I have always found it intriguing that the 12 musical notes in Western music, also known as the chromatic scale, can be combined and arranged in various ways to create infinite melodies and chord progressions.

The notes can be played at different pitches, rhythms, and durations and can be used in different keys and modes. Different styles and genres of music may use the notes in unique ways, resulting in a wide variety of sounds and melodies. And we haven’t yet touched upon techniques such as counterpoint, harmony, and dissonance to create more complexity and interest in music.

And yet, there are only 12 notes.

From Beethoven ’s 4-note opening of the 5th symphony (which only uses two different notes), to earworm melodies that we can’t get out of our heads, those inventive combinations of tones, rhythms, and harmonies give us millions of different musical pieces to enjoy.

Music. The 12-note wonder.