Tag Archives: amp

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

The ladder of excellence

I remember the very first time I heard a high-end audio system: a pair of JBL corner horns, an Audio Research preamp and power amp, and a Thorens turntable. It was a stunning revelation compared to my Kenwood integrated amplifier, AR turntable, and Phase Array speakers.

Today that same high-end system that first took my breath away would elicit only a polite smile and a soft chuckle of reminiscence.

We’re first taken by the magnitude of contrasting levels: Kenwood to Audio Research; Wonder Bread to a French baguette. Once we adjust to a new level of performance standard, we need ever greater contrasts to make the same size impression of improvement.

I remember well going to a Hong Kong reviewer’s house and listening to his collection of vintage equipment. My only reaction was to wonder how I ever thought any of those ancient treasures sounded good.

Each time we reach new levels of performance our standards change. What might have impressed us once no longer holds sway.

It’s called climbing the Ladder of Excellence.

Each higher rung advances our understanding of what’s good and what’s merely acceptable.

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan of PS Audio

Paul is getting technical here, but what he is beginning to describe today  are different ways to make an amplifier make music through speakers via solid state amplifiers, as opposed to tube amplifiers, although tube amps also have different ways to operate. Today, he describes something called a Class B circuit, which nobody I know uses exclusively. Class A/B yes, but Class B, on its own, no.

There are no hard or fast rules as to which type of amplifier sounds best. So far, in my 35 years in this audio hobby, the best solid state amp I’ve heard is the one I’m using now, which is a class AB amp, but has a speaker compensation network built in, which take most of the speaker cables out of the sound equation. Unfortunately, it is a Pro amp, built in the early 80’s, has fans, albeit quiet enough to not bother me…much….. and is pretty ugly. Still, it sounds great.

I’ve had Class A amps, Class A/B, Class H and Class D amps and sound wise, they are all over the place. I’ve recently taken in a pair of  Class A Aragon Palladium II monoblock amplifiers on consignment and they sound pretty darn good,

Here is Paul.

How much is enough?

We’re familiar with the common terms describing amplifier bias levels: class A, AB, and B. And we generally want more bias for better sound—which means we like class A better than the lower bias settings of AB and B. But how many of us really know what all this means? How much is enough?

Let’s start at the beginning to help our understanding.

First things first. These classes of amplifiers generally apply only to solid state designs. With few exceptions, we don’t worry about tube amplifiers and their output bias schemes. For simplicity sake let us just avoid the subject of tubes and agree that when we refer to the classes of an amplifier we are talking solid state.

Modern solid state power amplifiers split the output signal in two—one for the top half, the other for the bottom. Here’s a picture.

The two bluish circles labeled NPN and PNP are the transistor output devices. The squiggly lines are resistors that you can ignore. Note how the top transistor (TR1) handles what’s labeled as the “positive half-cycle”, the bottom transistor the “negative half-cycle”.

The input signal in this illustration is a simple sine wave. The circuit breaks the sine wave apart and divides the reproduction duties between the two devices.

What you are looking at is a Class B circuit. No Class A’ness to it at all.

More tomorrow.

 

 

 

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