Finding just the right spot
Most preamplifiers have a zone on their level controls where they sound best; typically higher on their dials.
Finding that perfect spot on the dial isn’t too hard, but getting there can be because much depends on the loudness levels of the source and the sensitivity of the speakers.
Most sources don’t have level trim controls to help match their gains to the rest of the system.
If you have a DAC, like our DirectStream, then it is an easy task to set the gain to match the sweet spot on your preamplifier. For example, depending on the system I am using, I like to set the DirectStream at around 80 on its level control. This places most tracks in the upper 40s and 50s on the BHK preamplifier, and the softest tracks bumping into the high 70s.
It’s tempting to think preamps sound the same at any level setting, but it isn’t true. Not for most preamps, anyway.
Finding just the right spot on the preamp level dial can bring hours more enjoyment to your system.
Filling a vacuum
When we think up new products sometimes it’s because we have a novel idea like the Digital Lens. That’s a product/technology that solved a problem most people didn’t even know they had.
Then there are the obvious ones like stereo amps and audio preamps to fill out a system.
But sometimes products come into being to fill a vacuum. And surprising that’s why we’re committed to building a new category of loudspeaker.
To fill a vacuum.
When our customers ask for loudspeaker recommendations to match their musical tastes we’re at a loss of where to send them, which is weird because there are more speaker manufacturers than any other category in our industry. You’d imagine with all that choice there’d be a slam dunk for people who want true full range, high resolution, easy setup, adjustable depth, extended dynamic range, musically breathtaking, visually appealing, small footprint, affordable loudspeakers.
But there’s nothing we know of that fits that bill (though admittedly that’s quite a laundry list of requirements).
So, as we’ve done in the past with AC power and digital audio—and even as far back as our early standalone phono stage—we need to step up to the plate and do it ourselves.
To some, this post will sound like over the top marketing fluff or just plain boastful. Probably is. But to those who have genuinely sought out the aforementioned laundry list in earnest and found themselves settling on the next best choice, this is all too real and a problem worth solving by someone.
I wish we could do it sooner.