Tag Archives: speakers

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

The vanishing trick

Loudspeakers are quite the enigma.

On the one hand, one of our key purchasing decisions is based on their size and looks.

On the other hand, we want them to disappear.

And to make things even more interesting, we know that when it comes to speakers, bigger is better.

When we are giving a tour to someone, it’s always fascinating how the aspen speakers are presented.

“Wow, they are beautiful.”

This exclamation is typically followed by the touching and petting of them.

“Have a seat,” I say, “and let me show you how they disappear.”

And rarely does anyone ever question this instruction, odd as it might seem.

The job of the most visually dominant pieces in the room is to vanish.

That’s quite the trick.

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

Some folks listen on axis and some loudspeakers are designed to be used this way, so a blanket statement that we don’t listen on-axis, is not totally correct. However, the bulk of this post is!!

What is flat?

How can flat-measuring loudspeakers sound different?

And for that matter, how can same-measuring-anything sound different?

The answer lies in a couple of areas. First, we do not measure all parameters that impact sound quality. In fact, as you will see below, we miss some of the most important opportunities for quantifying performance.

Second, even if we could measure everything how much weight do we assign to each parameter?

So the two things worth considering: what is it we’re measuring, and how much do measured differences matter?

Consider speaker crossover design. When matching a midrange driver to a tweeter, it is often the case the midrange driver has to be phase inverted for best performance. How many of us might wince at the idea one of three drivers in your speakers is out of phase? And yet, that is often the case.

And then we move on to perhaps the most important aspect of them all. What and how are we measuring response?

Loudspeakers are measured on axis (facing directly at the speaker).

We do not listen on axis. So perhaps a more important measurement is how smooth is the off-axis response?

Would it make more sense to publish measurements at the listening position?

Should we publish stereo measurements from the listening position?

Lots to unpack here and lots more to think about.

Flat measurements are a myth.

A flat-sounding system is when playback sounds like music and not HiFi.

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

I totally agree with this one and this is the way I’ve been doing subwoofers for the last 35 years.

It might seem obvious

In yesterday’s post on subwoofers, I cautioned about the use of series crossovers: one low pass filter in the receiver feeding another in the subwoofer.

What I did not address is the age-old advice from speaker and receiver manufacturers to lessen the demands on the main loudspeakers by means of adding a high pass filter—rolling off the bass of the main speakers.

It might seem obvious that lessening the demands of the main speaker to produce bass, by offloading that task to the subwoofer, would be beneficial.

I would argue against this practice.

If our goal in adding a subwoofer is to enhance the bass reproduction of the main speaker, then reducing the main speaker’s bass output runs counter to our mission.

Trust the designer of your main speaker. If they had thought it sounded cleaner with less bottom end then that’s what they should have built.

Well-designed full-range speakers should shine on their own.

Adding a subwoofer is the icing on the cake.

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

I agree about this, although not many truly bad sounding loudspeakers out there in the Audiophile world these days. I have got a pair of Daedalus Ulysses and double BOW subwoofers, as well as a pair of homeade, but beautiful, loudspeakers based on the GPA Altec 604 and both sound great on theor own, but both are also in great listeneing rooms.

Room or speaker?

There seems a persistent notion that rooms need to be of a certain quality in order to take full advantage of what a speaker has to offer.

If your room isn’t good enough then investing in a wonderful pair of speakers is a waste of resources. Kind of like the idea that if you’re not a gourmet you cannot appreciate fine food.

Poppycock.

Of course it is true our rooms play a huge role in helping and hurting our HiFi system’s performance. There can be no disputing that. Where I draw the line is in supporting the belief a room has to live up to certain standards in order to take full advantage of every nuance available.

Speakers always outperform the rooms they play in.

A notable exception might be with dipoles. Indeed, not every room can take full advantage of all that a dipole has to offer. Dipoles need space and the front wall impacts how they sound.

That said, I would still argue that even in the unfriendliest of rooms the qualities of your speaker will be appreciated way before any room difficulties stymie their performance.

When it comes to rooms vs. speakers, ignore the room and focus on the speaker.

You can always help a bad room sound good but it’s not possible to put enough lipstick on a pig of a speaker.

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

Congratulations to PS Audio. The fellow who reviewed the new PS Audio loudspeakers in Tony Cordesman, who is one of my favorite reviewers and he bought a pair as one of his reference speakers.

Golden Ear award

The day loudspeaker designer Chris Brunhaver joined the PS Audio team marked the 2nd to the last step on a lifetime journey (Octave Records would be the final step in closing the loop of our vision of an end-to-end audio ecosystem).

Before Chris we could only dream about the day we could say with confidence “these speakers are the final step in making audio magic”.

It took nearly three years of work, 4 iterations of design, and the cost of designing and tooling from scratch every component from the drivers to the box itself to create the aspen FR30 loudspeaker.

It takes only one listen to these beautiful creations to know without question the success of the design.

It sure doesn’t hurt when the FR30s appeared on the cover of HiFi News heralding a glowing review that you can read here.

Closer to home was the latest The Absolute Sound magazine’s cover photo of the aspens.

Inside, a wonderful review from Anthony Cordesman coupled with the magazine’s prestigious Golden Ear Award.

We couldn’t be prouder of our Chris Brunhaver.

If you’d like to send Chris a note of congratulations his email address is chrisb@psaudio.com

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

Obvious vs. faith

My small home theater has 12 loudspeakers that cover the walls and ceiling making it pretty obvious why a movie plays in surround sound.

You are surrounded by speakers.

The idea of getting “surround sound” from a two-channel audio system, on the other hand, requires a leap of faith.

It doesn’t look possible to achieve a holographic three-dimensional soundstage from two speakers.

To make matters worse nearly no one hears a holographic soundstage from their two speakers. It is only the rare few we call audiophiles that have invested the time and resources to maximize their two-channel listening experience in order to achieve this seeming miracle of sound.

No wonder people shake their heads in disbelief when they hear us talking about the joys of our systems.

“I had no idea!” Is a common phrase I hear when we first play the system for a newbie.

Of course! they had no idea.

It’s anything but obvious.

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

Boy, this is too bad, especially for people like Paul and his family. Most likely out lots of $ and lots of time and effort and lose an important opportunity for them with the introduction of their new louspeakers and their newest flagship amps. Such is life.

Sadly….

Today was going to be the start of the UK HiFi Show and Terri, Scott, Travis, and I are here in London in all our finery…..

….but then the sad news of the death of her Majesty, Queen Elizabeth.

Our condolences to her family.

We were going to be playing the new aspen FR30 speakers, a pair of BHK600 monoblocks, and we have an almost working DirectStream MK2 DAC to fondle (I wish it were ready to listen to).

The show has been canceled. Sorry. It’s a tough situation for us all.

Hopefully, it will be rescheduled and we will try once again.

*Quick update on the DirectStream MK2. It’s finished and will be making its appearance shortly. The prototype sounds amazing. The beta units are getting tantalizingly close to launch. Stay tuned.

I suppose it’s off the the pub.

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

About 25 years ago I had a pair of Silverline loudspeakers, in a special mother of pearl finish, brought to my home for auditioning. Our dog Jasper ran into it, knocked it over and it broke. Alan Yun from Silverline made a deal with me to soften the blow of the repair and that was the first pair of Silverline speakers I purchased. He’s quite a character and I’ve very much enjoyed knowing Alan. If I wasn’t totally satisfied with my Daedalus Ulysses and double Bow’s, Id look to one of Alan’s speakers in a heartbeat.

Ratchet of change

While it is true change can happen with the flip of a switch it is more likely to occur in small ratcheted increments.

Big events like the time years ago when one of the Genesis loudspeakers I had traveled halfway around the world to set up fell over and broke in half, are certainly instant life changing events. But they are the exception, not the rule.

In fact, most of the changes in our HiFi system (and our lives) happen in steps along the journey. It might feel life-changing when we add that new power amplifier or change those speakers, but in fact, it is just part of a long chain of events that got you here in the first place.

It is probably beneficial to most of us to remember that each step of the journey gets us closer to where we want to be: moving forward.

In the end, I believe it is forward movement that we all seek. Progress and change simply provide the steps for us to get there.

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl.

FR30s go live

Tomorrow, Friday the 25th, marks the world’s public premiere of the FR30 loudspeaker.

If you’re planning on attending the Montreal High End show at the Hotel Bonaventure, you can drop by our room to get a taste of one of the world’s best speakers, the Aspen FR30.

Here’s a link to the show information. PS Audio and the FR30s are located in the Westmount 6, room.

Scott McGowan and I are attending the show setup today to get them ready, but we’re unable to hang out and meet and greet folks tomorrow when the show opens. (With great sadness, we both have to head home to lay to rest on Friday one of our team members and dearest of friends, Woody Woodward, who died unexpectedly. Many of you may know of Woody through his wonderful writings in Copper Magazine)

I do hope you have a chance to drop by and check out these remarkable speakers. It’ll be well worth your time.

Have fun!

Asheville, Walnut Cove, Biltmore Forrest and Western North Carolina’s Audio and Home Theater specialists present Cane Creek AV and Paul McGowan – PS Audio, Intl

The revelation

In yesterday’s post, I posited a gnarly problem. How to rely upon the sound of a loudspeaker in order to achieve the perfect capture.

After all, there’s no such thing as a perfect microphone or speaker. These two transducers are to some degree flawed.

Experienced recording and mix engineers have solved this problem through years of experience with specific monitors. After hundreds of hours of trial and error, they know that when an instrument or voice sounds a certain way that it will be good/acceptable on the average listener’s speakers.

That while that methodology works for the vast majority of recordings, it’s hardly “as good as it gets” if your target audience of listeners is our high-end audio community armed with some of the most revealing home reproduction systems the world has to offer.

This dilemma really came to light after we replaced the Infinity IRSV with Chris Brunhaver’s amazing FR30 loudspeakers. As soon as I had some quality time to listen to them it became immediately obvious the FR30’s planar tweeter and midrange were on a different planet than anything I had ever heard. So real and revealing were these two transducers that I had to stop and reevaluate everything I thought I knew. After all, the IRSV too uses the same technology for its tweeters and midrange. *(as an aside from our story, one of the lessons I learned about creating a speaker of this caliber came from watching the process Chris used to design the FR30 tweeter and midrange. Employing hundreds of hours of mind-numbing measurements, Chris first perfected the two drivers themselves, then spent months working on how they fit into the baffle (just look at the tweeter and note the innocent looking divider down its middle or the slight horn-like opening for the midrange) and how that affected their response, and finally to the crossover, then back again to the beginning, etc.)

Having never heard the upper end of any system sound as real as what I was now hearing, it didn’t take too long to get used to this new reality. That soon became problematic.

After auditioning in MR2 on the FR30s a new mix for Octave Records, I followed the engineer up to the mix room and heard it played back again, but this time first on the conventional drivers of the ATC monitors as well as the Sony speakers Gus likes for mastering.

Holy crap. A slap in the face moment. I was listening not to cymbals but instead, I was listening to tweeters.

The story continues tomorrow.